The performance is part of an itinerant journey in which the audience determines the outcome of the dramaturgical implications. The dancers react to an electronic musical deconstruction of Le sacre du-printemps created by the METS-Conservatorio di Cuneo composers, associating these Stravinsky-esque fragments with different choreographic gestures, which are also the result of a similar process of deconstruction of a pre-existing choreography for Le Sacre, by Raphael Bianco. This fragmentation of the existing choreographic vocabulary, re-elaborated in the economy of the materials, leads to the absence of the dramaturgy of the reference choreography, distorting the order of the libretto and proposing a new figure of the Elect.
